Name: We Will Rock You
Start: 2023-06-02
End: 2023-08-26
Location: London Coliseum

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Born in Southend-on-Sea in 1981, Lee Mead trained at a local performing arts school. Mead’s stage career started in cabaret, where he performed on a cruise ship. He then went into musical theatre, playing in the touring production of Joseph and the Amazing Technicolor Dreamcoat, where he played the roles of Pharaoh and Levi. He made his West End debut in <a href="/show/the-phantom-of-the-opera">The Phantom of the Opera ensemble.

Mead rose to fame after being selected from 10,000 auditionees as one of twelve contestants for BBC series Any Dream Will Do, with hope to win a contract playing Joseph in the West End. After winning the series, a single was released featuring him singing "Any Dream Will Do", which reached number two&nbsp;in the UK singles chart. He played Joseph in <a href="/show/joseph-and-the-amazing-technicolor-dreamcoat">Joseph and the Amazing Technicolor Dreamcoat</a>, which he performed 600 times in 2007 to the West End audience.

After Joseph success, Mead moved to New York to study at the prestigious Lee Strasberg Theatre and Film Institute. Returning to the UK, he took on a major role in Lord Arthur Savile’s Crime alongside performers such as <a href="/actor-profile/gary-wilmot">Gary Wilmot</a>, Kate O’Mara and David Ross.&nbsp;Mead then performed in <a href="/show/wicked">Wicked</a> as Fiyero,&nbsp;with actress <a href="/actor-profile/rachel-tucker">Rachel Tucker</a> playing the role of Elphaba and Louise Dearman as Galinda. Following Wicked,&nbsp;Mead played the role of Emmett in Legally Blonde at the <a href="/theatres/savoy-theatre">Savoy Theatre</a>.&nbsp;

Outside of theatre, he has appeared in BBC One’s Casualty.&nbsp;Mead also has become known as a solo singer, releasing charity singles for Help for Heroes and Children In Need. Whilst releasing his fourth solo album “Some Enchanting Evening” Mead returned to the stage as Caractacus Potts in Chitty Chity Bang Bang as Caractacus Potts at <a href="/theatres/new-wimbledon-theatre">New Wimbledon Theatre</a>.

In December 2016, Mead joined cast members <a href="/actor-profile/paul-ogrady">Paul O’Grady</a>, <a href="/actor-profile/amanda-holden">Amanda Holden</a>, <a href="/actor-profile/julian-clary">Julian Clary</a> and <a href="/actor-profile/nigel-havers">Nigel Havers</a> in Cinderella&nbsp;at the <a href="/theatres/london-palladium">London Palladium</a>, playing the role of Prince Charming.

In 2023, Mead took on the role of Khashoggi in *We Will Rock You* at the London Coliseum.

Mead is currently appearing as Eddie Souther in [*Sister Act*](https://www.londontheatre.co.uk/show/28926-sister-act) at the Dominion Theatre in the West End.

Lee Mead - LON

Ages 7+. Under 16s must be accompanied by and sat next to an adult (18+). Children under 5 years will not be admitted. All persons attending, regardless of age, must have a ticket.

Wicked - LON [313]

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As Glinda descends from the rafters in her bubble, the audience cheers immediately. As Elphaba defies gravity as she flies over the stage, the audience gasps with disbelief. It’s impossible not to be swept away in *Wicked*’s pure theatricality. More than 15 years after Wicked flew into the West End, the Olivier Award-winning musical is still an evening of sheer musical theatre bliss. 

Over 11 million people have visited the land of Oz across 6,000 performances and counting. The musical has won 13 awards, including the Olivier Award for Most Popular Show, and *Wicked* has become one of the most successful musicals of all time. Often when a show has been playing for a long time, it can lose some of the initial magic, but *Wicked* is still as lively and dynamic as ever.

Based on Gregory Maguire’s prequel novel of the same name, *Wicked* imagines an Oz before Dorothy followed the yellow brick road, one in which the “Wicked Witch” Elphaba and the “Good Witch” Galinda are roommates at school. *Wicked* is a story of an unlikely friendship and how the truth isn’t always what meets the eye. Add spine-tingling ballads, a dragon, and stage magic into the mix, and Wicked sets the bar for what musical theatre can be.

Winnie Holzman’s multilayered book peels back L. Frank Baum’s *The Wizard of Oz* to shine more light on what happens along the way. Every time you watch Wicked, you’ll hear a new line, or see a new character approach that uncovers more information; it’s no wonder that Wicked fans — Ozians — visit the land of Oz dozens of times to unpick the hidden truths about the lion, the scarecrow, and the tin man.

*Wicked* wouldn’t be complete without [Stephen Schwartz’s influential score](https://www.londontheatre.co.uk/theatre-news/news/stephen-schwartz-musicals); and songs like “For Good” now transcend popular culture as pop stars, like Leann Rimes and Delta Goodrem, cover the iconic duet. But there’s no place like home, and that’s hearing Schwartz’s anthemic songs live, complete with a 23-piece orchestra. Pair Schwartz’s music with Wayne Cilento’s explosive choreography, especially in the show-stopping “Dancing Through Life” when the students go to their first dance, and Wicked is poetry in motion.

Eugene Lee’s intricate and moody scenic design extends into the auditorium, thanks to a giant smoking dragon and flying monkeys climbing up the walls. Kenneth Posner’s lighting design and Tony Meola’s sound design amplify the tension, especially when the animated wizard mask comes alive and the wizard’s booming voice reverberates around the auditorium. But there’s plenty of brightness too, especially in Susan Hilferty’s viridescent Ozian costumes and Galinda’s kaleidoscopic wardrobe.

Elphaba has become a coveted role for thousands of performers. From Idina Menzel winning the Tony Award for originating the role on Broadway to Kerry Ellis, Rachel Tucker, and Louise Dearman, each performer has put their own spin on the role and the iconic ballads: “The Wizard and I,” I’m Not That Girl,” “Defying Gravity,” and “No Good Deed”. Lucie Jones comes into her own as the green witch, deftly moving from frustration to sweetness to fury, as Elphaba navigates the world around her and quickly learns that not everyone means what they say. Helen Woolf is bubbly perfection as Glinda, with her sweet soprano and dry wit.

There’s something in *Wicked* for everyone. From the childlike wonder at the magical world of Oz to the political undertones about our leaders’ role in society to the universal message that true beauty lies within, *Wicked* leaves the audience with food for thought and also, wanting more. It’s no wonder that the musical has captured the hearts of so many over the years and will continue to do so for many years to come. *Wicked* is certainly here to stay in the West End for good. 

*Wicked is at the Apollo Victoria Theatre. Book Wicked tickets on London Theatre.*

[![LT - CTA - 250](//images.ctfassets.net/6pezt69ih962/1t6HRGmhlYl70k6PmR0mOZ/3caac861bc1d4233cd7844652c925623/LT-CTA-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=1587&content_product_id=1587&venue_id=138)

‘Wicked’ review — the West End hit flies high at the Apollo Victoria Theatre 

Read our five-star review of *Wicked,* the Stephen Schwartz musical starring Lucie Jones and Helen Woolf, at the Apollo Victoria Theatre. Get *Wicked* tickets now.

“London’s No.1 show” (LBC) is back! Celebrating 16 triumphant years at the Apollo Victoria Theatre

The Apollo Victoria Theatre is a world-renowned venue located in the heart of London. Since its inception in 1929, the theatre has been staging a myriad of performances, constantly exuding a vibrant atmosphere. With its striking art deco interior and a capacity of 2,304, the theatre continues to provide a rich sensory experience for all attendees. The Apollo Victoria Theatre is especially famous for hosting long-lasting musicals including 'Wicked' which has been running since 2006. The theatre provides state-of-the-art sound and light systems which complement the dynamic and innovative performances that grace its stage. Its enviable location, in the vicinity of Victoria Station, makes it effortlessly accessible to both local and international patrons.

__Getting to the Venue__ 

The Apollo Victoria Theatre is conveniently located at 17 Wilton Rd, London. It can be easily reached by numerous means of public transportation. Victoria Station, which services the Victoria, District and Circle Lines, is just opposite the theatre. Numerous buses also stop near the theatre including routes 38, 73, 8, amongst others. For those preferring to drive, the theatre is part of the Q-Park Scheme offering a 50% discount on car parking in some locations.

__Additional information__

Venue opens 90 minutes prior to the performance with bars, kiosks and toilet facilities available.
Auditorium opens for seating 55 minutes prior to the performance.
Latecomers can only be admitted into the auditorium at a suitable break in the performance, which is approximately
25 minutes after curtain-up.

Apollo Victoria Theatre - LON

Apollo Victoria Theatre

The Apollo Victoria Theatre is a major London venue known for its long-running musicals, state-of-the-art facilities, and easily accessible location near Victoria Station.

Ages 8+. Anyone under the age of 16 has to be accompanied by an adult (18+). Under 4s will not be admitted.

The Phantom of the Opera - LON [308] 

The Phantom of the Opera

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Stop a person on the street and ask them to name a West End musical, they'll probably say one of two things: <a href="/show/les-miserables">Les Mis</a>, or <a href="/show/the-phantom-of-the-opera">The Phantom of the Opera</a>. The latter has been impressively running non-stop at <a href="/theatres/her-majestys-theatre">Her Majesty's Theatre</a>&nbsp;for over 3 decades now, but does Andrew Lloyd Webber's musical still have the same sense of wonder as it did all that time ago.&nbsp;&nbsp;There's no question that it's a complete classic: the story tells of the titular phantom who haunts an opera house, the tales of his presence in the building are now common gossip amongst the casts. During rehearsals for the company's latest offering, an unknown chorus girl, Christine, is forced to thrust into the lead role, with the producers assured she has been taught well. Taught, it turns out, by the 'Angel of Music', the Phantom whose voice rings around in her head.During her triumphant performance, an old friend Raoul rekindles his love for Christine, while the Phantom reveals himself to Christine, luring her to his underground lair. As he tells her how she's been chosen to perform his work-in-progress opera, she lifts his mask to reveal his gruesomely disfigured face, and this begins a tale of jealousy and control.While its reputation as the ultimate romantic musical precedes it, watching the show in the #MeToo era throws up for a few uneasy moments. As the Phantom's manipulation and desire to control Christine become more and more apparent - through some pretty no-nonsense lyrics like "You will curse the day you did not do /All that the Phantom asked of you" - it's difficult not to feel for her as she is trapped and manipulated by a selfish, jealous man.It did create two of the most desirable roles for any musical theatre performer. Originated by Michael Crawford and Sarah Brightman, the production currently features an excellent leading cast of <a href="/theatre-news/interviews/ben-lewis-interview-meet-the-west-ends-new-phantom-of-the-opera">Ben Lewis</a> and Kelly Mathieson. Lewis commands every corner of the stage with the menace of the Phantom, while treating his more tender moments with the deluded pain the character demands. Mathieson plays Christine with the kind of innocent naivety that makes the part convincing, and nails some of the most challenging songs written for the stage.There is still something special about Lloyd Webber's score. Its songs were revelations that shook musical theatre, standards that entered the public consciousness. The '80s synth-opera fusion might seem a little dated, but there's no disputing that descending motif still conjures goose bumps. At the heart of "The Point of No Return" - the Phantom's composition - are the satisfying resolved phrases that are a trademark of the score.In 2018, it's difficult for one to imagine the reaction this production would have received in the '80s. It's wildly over the top - complete with its iconic set pieces, fireballs, and an elephant &nbsp;- and some of these elements raise a chuckle or two at the confidence it must have taken to pull them off. Some of the tricks wouldn't look out of place in <a href="/show/harry-potter-and-the-cursed-child">Harry Potter and the Cursed Child</a>, while others laid the groundwork for a show like <a href="/show/bat-out-of-hell-the-musical">Bat Out of Hell</a> to exist at the heightened level it does.While we could dissect the reaction the show would get if <a href="/show/the-phantom-of-the-opera">Phantom</a>&nbsp;was presented as a new work today, there's no question that it's still wild, it's still joyous, and it's still deserved of its place as the pride of the West End.<a href="/show/the-phantom-of-the-opera">The Phantom of the Opera</a> is currently booking at the <a href="/theatres/her-majestys-theatre">Her Majesty's Theatre</a>.

Review - The Phantom of the Opera at Her Majesty's Theatre

Read our review of The Phantom of the Opera starring Kelly Mathieson at Her Majesty's Theatre on London Theatre.

The Phantom of the Opera at Her Majesty's Theatre Review | London Theatre

This multi-award winning musical continues to captivate audiences at His Majesty’s Theatre in London’s West End, after more than 12,000 performances.

His Majesty’s Theatre is an iconic venue located in the heart of London. This historic venue's grandeur and legacy heighten the aura of the performances it hosts. Nestling in the Theatreland, the edifice is an embodiment of architectural finesse and historical significance, it is an epitome of classic Victorian design with hints of French Renaissance, designed by the celebrated architect Charles J. Phipps and first opened its doors to the theatre-loving public in 1897. Known for churning out some of the best works in dramatic art, the theatre serves as a platform for emerging stars and industry veterans alike. From local productions to international plays and musicals, the theatre has housed a wealth of performances that have touched the hearts of millions. As you walk through its dignified corridors and lush seating areas, you can still feel the legacies of the great actors who graced the stage. One remarkable feature of the theatre is the royal box, which used to be reserved for royal figures. It provides an exceptional viewing experience that makes a trip to His Majesty’s Theatre truly unforgettable.

 **Getting to the Venue**

His Majesty's Theatre is easily accessible from any part of London. It is just a minute away from Piccadilly Circus tube station and many bus routes stop nearby. There are car parking facilities available in the vicinity as well.

His Majesty's Theatre - LON

His Majesty’s Theatre

His Majesty’s Theatre, a historical London venue, showcases exceptional dramatic art. It is centrally located near Piccadilly Circus tube station.

Ages 12+. Children under the age of 5 cannot be admitted to the theatre. Children aged 15 or under must be accompanied by an adult (at least 1 adult per 10 children). All patrons, regardless of age, must have a valid ticket.

Sister Act - LON [28926]

Sister Act

Sister Act - LON [28926] Product Media

Based on the beloved film, this story of music, mishaps and nuns on the run is a joyous and uplifting tale of finding your voice and singing out, with your sisters by your side.

The Dominion Theatre, located in London, is an iconic venue with a remarkable history, hosting musicals, concerts, and performances for almost a century. Established in 1929, it prides itself in its distinctive Art Deco style that resonates with its visitors and transports them to a majestic era. The theatre provides a large capacity of over 2,000 seats, making it one of the largest in London. Known for hosting some of the greatest musicals of all time, the Dominion Theatre became a prominent venue for 'We Will Rock You' - a musical inspired by the band Queen. The stage has seen performances from many famous artists, including Judy Garland. 

### How to Get to the Venue 

The Dominion Theatre is conveniently situated at the junction of Tottenham Court Road and Charing Cross Road, making it easily accessible by public transport. The closest tube station is Tottenham Court Road, which is only a minute’s walk away. Services from the Northern and Central Line serve this station. Multiple bus routes also pass close to the theatre including 7, 8, 14, 19, 24, 29, 38, 55, 73, 98, 134, 176, and 242. For those driving, the nearest car park is an NCP on Adeline Place, with a 24-hour car park on Great Russell Street.

Dominion Theatre - LON

Dominion Theatre

The Dominion Theatre is a historic, art deco theatre in London, known for hosting iconic performances. Easily accessible by public transport.

Read all about West End Star Lee Mead and his latest appearances on stage at LondonTheatre.co.uk

Lee Mead - Stars on Stage | London Theatre

Lee Mead - HS

The London Coliseum, located in the heart of London is the largest theatre in London's West End. Built by architect Frank Matcham and opening its doors for the first time in 1904, the theatre houses just under 2,359 seats, spread out over four levels. Stylistically, the design is Edwardian Baroque - known for its grandeur and detail-oriented style. A site of both historic and cultural importance, The Coliseum is famed for its variety of productions including musical comedies, variety shows, and classic dramas. Since 1968, it has been the London home of the English National Opera (ENO) and is also used by the English National Ballet during the Christmas period. Notably, The London Coliseum has a rich history, boasting a revolving stage and the first 'quadraphonic' sound system in Britain. Today, its programming is varied with everything from high-profile awards ceremonies, to film screenings, television broadcasts, and a selection of world-class operas, musicals, dance performances and concerts. Its motto is 'Pro Bono Publico' (For the public good).

## How to get to the venue
The London Coliseum is easily accessible by a variety of transport options. It is located at St Martin's Lane, London, WC2N 4ES. The nearest underground station is Leicester Square on the Northern and Piccadilly Lines whilst the Charing Cross station servicing the Northern, Bakerloo and the British Rail Lines is just a short walk away. Additionally, a variety of buses service the area including the routes 3, 6, 9, 12, 13, 15, 24, 29, 30, 53.

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The London Coliseum opened in 1904. When the Coliseum first opened, it was home to variety shows – chariot races even took place. The idea stood that if shows weren’t accessible to the general public, then it didn’t have a place at the London Coliseum. 

In 1968, the theatre became the home of Sadler’s Wells Opera (now the English National Opera), with the London Coliseum auditiorium redesigned to allow for a large orchestra. The London Coliseum has such a presence in the English opera calendar that it’s now the British home of operatic performances.

The London Coliseum has the widest proscenium arch in the West End, measuring at 55 feet wide.

## London Coliseum Seating Information

The London Coliseum seats 2,359 people across two levels - Stalls, Dress Circle, Upper Circle and Balcony. All seats offer an excellent view of the London Coliseum stage, so you can feel a part of the action.

London Coliseum - London Theatre

The London Coliseum, opened in 1904, originally hosted variety shows. It's now home to the English National Opera, seats 2,359 people and has the widest proscenium arch in the West End.

LondonColiseum-840 x1054 px

The London Coliseum is the largest West End theatre, housing English National Opera and English National Ballet performances. Accessible from Leicester Square and Charing Cross stations.

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London Coliseum

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